1
00:00:01,001 --> 00:00:03,663
ANNOUNCER:
Last on the Six Million Dollar Man...

2
00:00:03,770 --> 00:00:07,001
Steve Austin had watched his fiance,
Jaime Sommers...

3
00:00:07,107 --> 00:00:10,201
the world's first bionic woman die.

4
00:00:10,310 --> 00:00:13,473
But was she really dead?
(BIONIC EYE SOUND EFFECT)

5
00:00:17,050 --> 00:00:18,950
I saw Jaime today, alive.

6
00:00:19,052 --> 00:00:20,349
Steve, you don't under...

7
00:00:20,454 --> 00:00:22,632
Don't start the training number with me,
Oscar! I know what I saw!

8
00:00:22,656 --> 00:00:23,520
Steve, listen to me.

9
00:00:23,624 --> 00:00:24,784
Five seconds.

10
00:00:24,892 --> 00:00:26,257
Alright.

11
00:00:28,495 --> 00:00:31,464
It's Jaime. She's alive.

12
00:00:33,066 --> 00:00:36,365
ANNOUNCER: Doctor Michael Marchetti
had performed a startling operation...

13
00:00:36,470 --> 00:00:38,836
using revolutionary cryogenic
techniques...

14
00:00:38,939 --> 00:00:40,998
which had literally
brought Jaime back to life.

15
00:00:41,108 --> 00:00:43,201
(DEFIBRILLATOR CLICKS)

16
00:00:45,412 --> 00:00:47,539
ANNOUNCER:
But when Jaime saw Steve again...

17
00:00:48,715 --> 00:00:49,807
Who are you?

18
00:00:51,885 --> 00:00:54,217
ANNOUNCER:
Jaime had suffered brain damage.

19
00:00:54,321 --> 00:00:55,549
Her memory was gone.

20
00:00:55,656 --> 00:00:58,648
I told you before, by attempting
to stimulate Jaime's memory...

21
00:00:58,759 --> 00:01:01,887
we could bring back the pain
that she felt so intensely.

22
00:01:03,196 --> 00:01:06,495
Then it's best that she doesn't
know anything about us.

23
00:01:07,100 --> 00:01:09,068
What we shared.

24
00:01:09,169 --> 00:01:13,868
ANNOUNCER: Steve could only watch
as Jaime grew closer to Michael.

25
00:01:15,375 --> 00:01:18,105
Then Jaime began to have
flashes of memory...

26
00:01:18,211 --> 00:01:20,179
but with the memory came pain.

27
00:01:22,950 --> 00:01:23,939
What's the matter?

28
00:01:24,051 --> 00:01:27,020
Steve, sometimes I feel like
I'm just on the edge of remembering...

29
00:01:27,120 --> 00:01:29,145
and then... and then it hurts.

30
00:01:29,256 --> 00:01:32,123
And it's so frustrating,
cause I...

31
00:01:32,225 --> 00:01:33,749
It's driving me crazy.

32
00:01:33,860 --> 00:01:37,796
ANNOUNCER: So they considered
taking Jaime back to her hometown.

33
00:01:37,898 --> 00:01:41,595
Just suppose somebody comes up
on the street and recognizes her.

34
00:01:41,702 --> 00:01:44,796
We'll have to avoid that.
Keep her off the streets.

35
00:01:44,905 --> 00:01:47,100
Keep the whole thing controlled.

36
00:01:47,207 --> 00:01:49,903
ANNOUNCER:
Now Steve is taking Jaime home...

37
00:01:50,010 --> 00:01:52,672
but no one knows what lies ahead.

38
00:01:53,647 --> 00:01:57,913
ANNOUNCER: And now the Return
of The Bionic Woman, Part Two...

39
00:01:58,018 --> 00:02:00,384
on The Six Million Dollar Man.

40
00:02:03,824 --> 00:02:05,068
FLIGHT COM:
It's looks good at NASA One.

41
00:02:05,092 --> 00:02:06,059
B- 52 >PILOT:
Roger.

42
00:02:06,159 --> 00:02:07,524
BCS Arm switch is on.

43
00:02:07,628 --> 00:02:08,595
FLIGHT COM:
Okay, Victor.

44
00:02:08,695 --> 00:02:10,773
B-52 PILOT:
Landing Rocket Arm switch is on.
Here comes the throttle.

45
00:02:10,797 --> 00:02:12,856
Circuit breakers in.

46
00:02:12,966 --> 00:02:13,966
STEVE:
We have separation.

47
00:02:14,101 --> 00:02:16,092
B-52 PILOT:
Inboard and outboards are on.

48
00:02:16,203 --> 00:02:18,103
I'm comin' forward with the side stick.

49
00:02:18,205 --> 00:02:19,229
FLIGHT COM:
Looks good.

50
00:02:19,573 --> 00:02:20,471
PILOT:
Ah, Roger.

51
00:02:20,574 --> 00:02:21,884
STEVE:
I've got a blowout in damper three.

52
00:02:21,908 --> 00:02:23,052
SR-71 PILOT:
Get your pitch to zero.

53
00:02:23,076 --> 00:02:24,805
STEVE:
Pitch is out. I can't hold altitude!

54
00:02:24,911 --> 00:02:27,846
B-52 PILOT: Correction. Alpha Hold is off.
Threat selector is emergency.

55
00:02:27,948 --> 00:02:30,788
STEVE: Flight Com. I can't hold it!
She's breaking up! She's breaking...

56
00:02:38,759 --> 00:02:41,091
ANNOUNCER:
Steve Austin. Astronaut.

57
00:02:41,194 --> 00:02:43,594
A man barely alive.

58
00:02:45,799 --> 00:02:48,597
Gentlemen, we can rebuild him.

59
00:02:48,702 --> 00:02:51,500
We have the technology.

60
00:02:51,605 --> 00:02:55,769
We have the capability
to make the world's first bionic man.

61
00:02:59,680 --> 00:03:03,480
Steve Austin will be that man.

62
00:03:03,583 --> 00:03:06,108
Better than he was before.

63
00:03:06,953 --> 00:03:11,390
Better, stronger, faster.

64
00:03:11,491 --> 00:03:14,460
(MAIN TITLE THEME)

65
00:03:30,310 --> 00:03:33,279
('7OS POP MUSIC)

66
00:03:51,164 --> 00:03:53,132
It's beautiful country, Steve.

67
00:03:53,233 --> 00:03:54,495
Yeah, I've always thought so.

68
00:03:54,601 --> 00:03:56,535
You know this country pretty well, huh?

69
00:03:56,636 --> 00:03:58,968
Well, I was raised here.

70
00:04:09,549 --> 00:04:12,814
What did that sign say?
It said, Astronaut Steve Austin?

71
00:04:12,919 --> 00:04:13,943
Yeah.

72
00:04:14,054 --> 00:04:15,180
You didn't tell me that.

73
00:04:15,288 --> 00:04:16,812
Did you go into space?

74
00:04:16,923 --> 00:04:18,151
Well, I went to the moon.

75
00:04:18,258 --> 00:04:19,691
The moon?

76
00:04:20,894 --> 00:04:24,455
Wow, what's it like to walk around
on a strange new world?

77
00:04:26,066 --> 00:04:30,059
Never mind.
I think I know exactly how it feels.

78
00:04:39,713 --> 00:04:41,613
JAIME:
So, this is your place, huh?

79
00:04:41,681 --> 00:04:42,579
STEVE:
Yep.

80
00:04:42,682 --> 00:04:46,083
JAIME: Well, it suits you. It's warm
and friendly just like the countryside.

81
00:04:46,186 --> 00:04:47,363
STEVE:
Would you like to see some more?

82
00:04:47,387 --> 00:04:48,376
JAIME:
Oh, yes.

83
00:04:48,488 --> 00:04:49,565
STEVE:
Come on, I'll show you around.

84
00:04:49,589 --> 00:04:51,113
JAIME:
Okay.

85
00:04:55,195 --> 00:04:56,457
('7OS POP MUSIC)

86
00:04:56,563 --> 00:05:01,000
J‘ It's been fun, lots of laughs, Jaime J‘

87
00:05:01,902 --> 00:05:05,303
I It always is when friends meet again I

88
00:05:06,973 --> 00:05:11,000
I But lately, it's gone flat for me, Jaime J‘

89
00:05:11,945 --> 00:05:16,314
J‘ I don't like seeing you now and then I

90
00:05:17,684 --> 00:05:20,312
J‘ Our friendship is finished I

91
00:05:20,420 --> 00:05:22,854
J‘ That's true J‘

92
00:05:22,956 --> 00:05:27,290
I But there's hope,
a way to make it through I

93
00:05:28,595 --> 00:05:32,622
J‘ Because, sweet Jaime,
I love you I

94
00:05:34,501 --> 00:05:38,130
J‘ I never wanna say goodbye to you I

95
00:05:39,306 --> 00:05:43,504
J‘ Sweet Jaime, I'll love you foreverJ‘

96
00:05:45,378 --> 00:05:49,337
J‘ I know we'll never part I

97
00:05:50,617 --> 00:05:54,485
J‘ I love you like I loved no otherJ‘

98
00:05:55,956 --> 00:06:00,393
I Make room for me in your heart I

99
00:06:08,368 --> 00:06:10,393
JAIME:
Michael? Hi, it's Jaime.

100
00:06:10,503 --> 00:06:12,869
I just wanted to call you
and let you know we got here.

101
00:06:12,939 --> 00:06:14,634
I'm glad to hear it.

102
00:06:15,809 --> 00:06:17,003
How are you feeling?

103
00:06:17,110 --> 00:06:19,635
Good. We're at Steve's ranch now.

104
00:06:19,746 --> 00:06:21,907
And it's just... it's really, uh...

105
00:06:26,086 --> 00:06:27,348
(LOUD WHOOSH and CHIMES)

106
00:06:27,454 --> 00:06:29,718
It's really...

107
00:06:33,159 --> 00:06:34,126
MICHAEL: Jaime?

108
00:06:34,227 --> 00:06:35,194
Yeah, I'm here.

109
00:06:35,295 --> 00:06:37,991
You're sure you're not
having any problems?

110
00:06:40,533 --> 00:06:42,558
No, no problems.

111
00:06:42,669 --> 00:06:45,365
No problem except that you're not here.
When are you coming up?

112
00:06:46,640 --> 00:06:49,336
Oh, good. Maybe we can have
breakfast then, huh?

113
00:06:49,442 --> 00:06:52,206
Oh, that would be lovely.

114
00:06:52,312 --> 00:06:54,803
Um, Michael?

115
00:06:54,915 --> 00:06:56,280
What is it?

116
00:06:57,751 --> 00:06:59,582
I'll tell you tomorrow. Maybe.

117
00:06:59,686 --> 00:07:02,314
Bye bye.

118
00:07:02,422 --> 00:07:04,356
(HANGS UP)

119
00:07:04,457 --> 00:07:05,947
(LOUD WHOOSH)

120
00:07:06,993 --> 00:07:08,324
Could we go for a walk?

121
00:07:10,797 --> 00:07:12,526
Sure.

122
00:07:12,599 --> 00:07:13,919
Don't you want your orange juice?

123
00:07:15,101 --> 00:07:16,193
Not right now.

124
00:07:22,342 --> 00:07:24,310
Oh, it's just so peaceful here.

125
00:07:24,411 --> 00:07:25,571
Yep.

126
00:07:27,280 --> 00:07:29,225
Steve, you're my friend.
Tell me something honestly.

127
00:07:29,249 --> 00:07:30,910
I'll try.

128
00:07:32,118 --> 00:07:33,278
What do you think of Michael?

129
00:07:34,921 --> 00:07:38,857
Well, he's a brilliant, talented,
dedicated scientist.

130
00:07:38,959 --> 00:07:40,620
I know all that, but, um...

131
00:07:40,727 --> 00:07:42,524
what do you think of him as a person?

132
00:07:44,297 --> 00:07:45,457
I like him.

133
00:07:46,499 --> 00:07:47,523
Me too.

134
00:07:48,868 --> 00:07:50,267
Do you think he likes me?

135
00:07:57,978 --> 00:07:59,275
(LOUD WHOOSH)

136
00:07:59,346 --> 00:08:00,904
(BIONIC SOUND EFFECT)

137
00:08:03,383 --> 00:08:04,748
What's the matter?

138
00:08:04,851 --> 00:08:07,581
Nothing, I... I...

139
00:08:07,687 --> 00:08:09,018
You alright?

140
00:08:10,123 --> 00:08:11,556
Yeah. Really.

141
00:08:12,826 --> 00:08:15,818
This must've been
a really nice place to grow up.

142
00:08:15,929 --> 00:08:18,124
Yeah, it was for me.

143
00:08:18,231 --> 00:08:20,042
I used to go fishing
just over that hill there.

144
00:08:20,066 --> 00:08:21,829
Is there a lake near here?

145
00:08:21,935 --> 00:08:23,732
Yeah. Just over that hill there.

146
00:08:23,837 --> 00:08:25,566
Can we go there?

147
00:08:25,672 --> 00:08:27,230
Sure, I guess so.

148
00:08:42,389 --> 00:08:44,533
Did you ever get the feeling
that you've been somewhere before?

149
00:08:44,557 --> 00:08:45,524
Sure. Lots of times.

150
00:08:45,625 --> 00:08:48,185
Kind of feel that way now.

151
00:08:48,294 --> 00:08:51,092
Guess I'll probably feel that way
off and on for the rest of my life.

152
00:08:52,632 --> 00:08:53,690
Hey, can we go into town?

153
00:08:55,235 --> 00:08:56,896
Well, there's not much to see there.

154
00:08:57,003 --> 00:08:59,836
Well, I would like to go anyway.
So plan on it.

155
00:08:59,939 --> 00:09:02,601
Well, maybe.

156
00:09:17,157 --> 00:09:18,749
Gee, aren't these fun?

157
00:09:21,161 --> 00:09:23,652
Kind of makes you feel like
someone's been here before.

158
00:09:23,763 --> 00:09:25,594
Yeah.

159
00:09:25,698 --> 00:09:27,029
Is your name on here?

160
00:09:27,133 --> 00:09:29,431
No, no. I don't think so.

161
00:09:31,905 --> 00:09:33,497
You know what I'd like to do?

162
00:09:33,573 --> 00:09:34,562
What's that?

163
00:09:39,579 --> 00:09:41,979
(DRILLING SOUND)

164
00:09:52,525 --> 00:09:55,824
What every woman wants:
a bionic fingernail.

165
00:10:00,366 --> 00:10:02,800
(DRILLING SOUND)

166
00:10:28,194 --> 00:10:30,321
(CHIMES)

167
00:10:40,240 --> 00:10:42,435
(CHIMES)

168
00:10:59,792 --> 00:11:01,123
(DIALS ROTARY PHONE)

169
00:11:01,227 --> 00:11:05,129
(PHONE RINGING)

170
00:11:06,666 --> 00:11:08,031
Hello?

171
00:11:08,134 --> 00:11:09,863
STEVE: Hi, Dad.

172
00:11:09,969 --> 00:11:11,834
Steve! Where are you?

173
00:11:11,938 --> 00:11:14,338
Well, I'm here. At the ranch.

174
00:11:14,440 --> 00:11:16,965
Oh, your mother
will be so disappointed.

175
00:11:17,076 --> 00:11:19,772
She's at your Aunt Berdine's
in Bakersfield.

176
00:11:19,879 --> 00:11:21,039
You be here long?

177
00:11:21,147 --> 00:11:24,116
Well, I don't know.
Can you come over?

178
00:11:25,518 --> 00:11:28,487
Sure. What's wrong?

179
00:11:29,155 --> 00:11:30,850
I need to talk to you, Dad.

180
00:11:30,957 --> 00:11:34,188
There's something you better know
before you get here.

181
00:11:34,294 --> 00:11:35,625
What is it?

182
00:11:35,728 --> 00:11:37,662
It's about Jaime.

183
00:11:37,764 --> 00:11:40,324
(CHIMES)

184
00:11:53,279 --> 00:11:55,076
STEVE'S DAD:
It's unreal, Steve.

185
00:11:55,181 --> 00:11:57,274
Like I'm seeing a ghost.

186
00:11:57,383 --> 00:11:58,816
STEVE:
Yeah, I know.

187
00:11:58,918 --> 00:12:00,798
STEVE'S DAD:
And she hasn't remembered anything?

188
00:12:00,887 --> 00:12:03,185
Even since you brought her here?

189
00:12:03,289 --> 00:12:05,534
STEVE: No, and there's a constant danger
that if she sees too much...

190
00:12:05,558 --> 00:12:08,288
or accidentally heard too much
from someone in town...

191
00:12:08,394 --> 00:12:10,919
it might seriously
damage her psychologically.

192
00:12:11,030 --> 00:12:13,464
So I've really got to keep her
clear of town.

193
00:12:18,504 --> 00:12:21,337
This must be harder for you
than I can even imagine.

194
00:12:22,942 --> 00:12:25,137
That's why I called you.

195
00:12:25,245 --> 00:12:27,304
I just had to have
somebody to talk to.

196
00:12:32,218 --> 00:12:33,583
(POURS DRINK)

197
00:12:33,686 --> 00:12:35,085
It is getting to me, Dad.

198
00:12:35,188 --> 00:12:38,954
Taking her to all the places
she and I used to go as kids.

199
00:12:39,058 --> 00:12:41,925
Places we went again last spring.

200
00:12:42,629 --> 00:12:44,392
Seems so long ago now.

201
00:12:47,667 --> 00:12:50,397
I guess that's what hurts the most.

202
00:12:50,503 --> 00:12:53,404
Finding her last spring and then...

203
00:12:53,506 --> 00:12:56,737
realizing what we'd been missing
all those years.

204
00:12:57,744 --> 00:12:59,644
Coming so close to marrying her.

205
00:13:01,547 --> 00:13:03,947
Then losing her that night at the hospital.

206
00:13:05,585 --> 00:13:06,745
And now?

207
00:13:06,853 --> 00:13:10,186
Now, losing her all over again.

208
00:13:12,125 --> 00:13:14,889
Yeah.

209
00:13:14,994 --> 00:13:18,486
Dad, this morning
out by the lake, I...

210
00:13:18,598 --> 00:13:20,566
I just wanted to grab her and...

211
00:13:20,667 --> 00:13:23,727
And make her remember me.
Remember us.

212
00:13:25,405 --> 00:13:28,340
You're pretty remarkable.
Do you know that?

213
00:13:29,909 --> 00:13:34,243
You've been so busy worrying about
how Ojai would effect Jaime...

214
00:13:34,347 --> 00:13:36,959
that you haven't taken time to worry
about how it would effect you.

215
00:13:36,983 --> 00:13:38,848
I guess I'll be alright.

216
00:13:41,888 --> 00:13:45,449
Thanks for helping me
unload a little bit. It helps.

217
00:13:45,558 --> 00:13:48,220
I wish I could help more.

218
00:13:51,097 --> 00:13:53,793
Now where'd she go?
Come on, let's have a look.

219
00:14:00,740 --> 00:14:01,900
Jaime?

220
00:14:05,144 --> 00:14:07,009
Jaime!

221
00:14:07,980 --> 00:14:09,447
Where'd she go?

222
00:14:11,184 --> 00:14:13,675
(BIONIC EYE SOUND EFFECT)

223
00:14:25,998 --> 00:14:27,363
STEVE:
The back gate's open.

224
00:14:27,467 --> 00:14:29,387
She must be headed for town.
I've gotta stop her.

225
00:14:30,103 --> 00:14:33,334
(BIONIC SOUND EFFECT)

226
00:15:44,377 --> 00:15:47,346
(BIONIC EYE SOUND EFFECT)

227
00:16:04,730 --> 00:16:06,061
Edward!

228
00:16:06,599 --> 00:16:07,588
WOMAN: Edward.

229
00:16:07,700 --> 00:16:08,826
(BIONIC EAR SOUND EFFECT)

230
00:16:08,935 --> 00:16:11,460
Didn't that look like Jaime Sommers?

231
00:16:15,141 --> 00:16:17,109
Edward.

232
00:16:27,220 --> 00:16:30,986
(TENNIS PLAYERS CHATTER)

233
00:16:46,138 --> 00:16:49,107
(CHIMES)

234
00:17:13,833 --> 00:17:15,596
Hey, my game, Armando.

235
00:17:15,701 --> 00:17:16,929
Okay, you buy the beer, huh?

236
00:17:18,604 --> 00:17:21,129
Make it cold.

237
00:17:22,542 --> 00:17:25,511
(CHIMES)

238
00:17:40,626 --> 00:17:42,924
Steve? Steve Austin!

239
00:17:43,029 --> 00:17:44,257
Hi, Mrs. Raymond.
How are you?

240
00:17:44,363 --> 00:17:46,297
It's very good to see you again.

241
00:17:46,399 --> 00:17:47,798
You know the funniest thing?

242
00:17:47,900 --> 00:17:51,267
We just passed a girl back there
who looked just like Jaime Sommers.

243
00:17:51,370 --> 00:17:53,050
You did? Where?
She was the spitting image.

244
00:17:53,105 --> 00:17:55,117
I said to Edward,
didn't that look like Jaime Sommers?

245
00:17:55,141 --> 00:17:56,218
Mrs. Raymond,
where did you see her?

246
00:17:56,242 --> 00:17:57,209
Oh, at the park.

247
00:17:57,310 --> 00:17:58,572
Thank you.
I'll see you later.

248
00:18:08,521 --> 00:18:10,148
Hey!

249
00:18:10,256 --> 00:18:12,383
Hi. You want to hit a couple back?

250
00:18:27,807 --> 00:18:31,004
Oh. Come on. Come on.
Here's an easier one.

251
00:18:39,251 --> 00:18:42,414
Oh. Wow.
That was great.

252
00:18:42,521 --> 00:18:44,182
Hey. Try another one.

253
00:19:14,153 --> 00:19:16,678
I get the feeling I'm being hustled.

254
00:19:23,896 --> 00:19:26,023
Hey, I am being hustled.

255
00:19:26,132 --> 00:19:27,463
You're Jaime Sommers.

256
00:19:28,968 --> 00:19:31,027
Yeah, I saw you on TV last year.
When was that?

257
00:19:31,137 --> 00:19:34,265
In the finals last spring.

258
00:19:34,373 --> 00:19:36,341
(LOUD WHOOSH)

259
00:19:37,076 --> 00:19:39,943
Hey, you were some kind of player.

260
00:19:41,547 --> 00:19:43,481
You living in Ojai now?

261
00:19:45,117 --> 00:19:47,711
No.
(LOUD WHOOSH)

262
00:19:49,722 --> 00:19:51,562
I would really like for my friends
to meet you.

263
00:19:51,824 --> 00:19:53,155
Oh, no.

264
00:19:53,259 --> 00:19:55,921
It'll just take a minute.
I'll be right back, okay?

265
00:20:00,566 --> 00:20:01,931
(LOUD WHOOSH)

266
00:20:02,034 --> 00:20:03,126
No!

267
00:20:09,275 --> 00:20:11,539
(HIGH-PITCHED TONE and CHIMES)

268
00:20:13,579 --> 00:20:15,444
STEVE:
Jaime? Jaime.

269
00:20:17,083 --> 00:20:20,712
Oh, Steve, I... it hurts.

270
00:20:20,820 --> 00:20:22,788
I remembered so much pain.

271
00:20:22,888 --> 00:20:23,877
Come on.

272
00:20:30,930 --> 00:20:33,592
I was a tennis player?
He said... he said that...

273
00:20:33,699 --> 00:20:34,927
Yeah.

274
00:20:35,034 --> 00:20:38,367
I had a flash of memory,
but there was a pain with it.

275
00:20:38,471 --> 00:20:40,996
It was like a hot knife cutting and...

276
00:20:41,107 --> 00:20:43,371
I wish Michael was here.

277
00:20:43,476 --> 00:20:45,467
We'll call him. Come on.

278
00:20:51,917 --> 00:20:53,714
(DOOR OPENS)

279
00:20:58,758 --> 00:21:00,118
Hey, get a good night's rest, huh?

280
00:21:02,389 --> 00:21:02,495
I'll pick you up for the breakfast
in the morning, okay?

281
00:21:02,496 --> 00:21:04,486
Michael will be here?

282
00:21:04,897 --> 00:21:06,558
Yeah.

283
00:21:06,632 --> 00:21:08,862
Goodnight.
Goodnight.

284
00:21:16,842 --> 00:21:19,106
RECEPTIONIST:
Phone call for Colonel Austin.

285
00:21:22,281 --> 00:21:23,270
Colonel Austin.

286
00:21:23,382 --> 00:21:24,942
STEVE'S DAD:
Steve? You found her okay?

287
00:21:25,050 --> 00:21:26,642
Oh, Hi, Dad.

288
00:21:26,752 --> 00:21:28,811
Yeah, I, uh... I found her.

289
00:21:28,921 --> 00:21:32,357
Good. I was pretty worried about her.

290
00:21:33,425 --> 00:21:35,416
And I'm still pretty worried about you.

291
00:21:35,528 --> 00:21:37,359
Oh, I'll be okay.

292
00:21:37,463 --> 00:21:39,431
Thanks again, you know, Dad?

293
00:21:39,532 --> 00:21:41,227
I know, and Steve...

294
00:21:42,668 --> 00:21:45,466
I can't remember ever being
more proud of you, son.

295
00:21:48,207 --> 00:21:49,640
Do you think she'll be alright now?

296
00:21:50,810 --> 00:21:53,745
Yes, she's, uh... she's resting quietly.

297
00:21:53,846 --> 00:21:55,370
Good.

298
00:21:57,783 --> 00:22:01,549
(DRAMATIC MUSIC)

299
00:22:16,268 --> 00:22:19,362
(LOUD WHOOSH, CHIMES)

300
00:22:19,972 --> 00:22:21,098
(SCREAMS)

301
00:22:39,825 --> 00:22:41,019
No!

302
00:22:45,831 --> 00:22:47,924
Jaime. Jaime, what's the matter?
What happened?

303
00:22:48,033 --> 00:22:51,332
Just more visions
and pain in my head.

304
00:22:52,071 --> 00:22:53,351
Call Dr. Wells or Dr. Marchetti.

305
00:22:53,439 --> 00:22:55,168
No, it's alright.

306
00:22:55,274 --> 00:22:56,468
Are you sure?

307
00:22:56,542 --> 00:22:58,635
Yes. I know what it is.

308
00:22:58,744 --> 00:23:01,008
She'll be alright.

309
00:23:02,781 --> 00:23:04,510
I realize why you
brought me here now.

310
00:23:04,617 --> 00:23:05,606
What do you mean?

311
00:23:06,685 --> 00:23:08,653
I grew up in Ojai, too, didn't I?

312
00:23:11,790 --> 00:23:13,314
Yeah.

313
00:23:13,425 --> 00:23:15,655
And I guess you thought by me
seeing the area again...

314
00:23:15,761 --> 00:23:17,922
it would help restore my memory...

315
00:23:18,030 --> 00:23:19,554
but it's no good, Steve.

316
00:23:20,099 --> 00:23:24,001
Every time I start to think back,
there's so much pain.

317
00:23:24,103 --> 00:23:25,934
I mean,
pain I can't even tell you about.

318
00:23:27,539 --> 00:23:29,439
Boy, I want to look back.

319
00:23:29,541 --> 00:23:31,372
There's so much there.

320
00:23:31,477 --> 00:23:34,810
And I even feel like there's...
There's someone that I left behind.

321
00:23:35,848 --> 00:23:40,114
Like someone that I loved,
but that pain... it just keeps coming.

322
00:23:40,219 --> 00:23:43,086
Look, I understand.
How can I help you?

323
00:23:45,024 --> 00:23:46,286
Help me go forward.

324
00:23:49,395 --> 00:23:51,090
It just hurts too much to go back.

325
00:23:51,931 --> 00:23:53,831
At least for now.

326
00:23:53,933 --> 00:23:56,493
I think I have to leave Ojai
and everything that went with it.

327
00:23:56,602 --> 00:23:57,864
Just leave it behind.

328
00:24:01,073 --> 00:24:02,097
Alright.

329
00:24:03,142 --> 00:24:05,007
And I need more than that, Steve.

330
00:24:05,110 --> 00:24:08,910
I want Oscar to put me to work.
Use these bionics he gave me.

331
00:24:09,014 --> 00:24:10,606
Jaime, I don't know.

332
00:24:10,716 --> 00:24:12,650
Steve, I've gotta work.

333
00:24:12,751 --> 00:24:14,946
I've gotta get my mind
on some new things.

334
00:24:16,322 --> 00:24:17,799
Look, I know what you're saying, but...

335
00:24:17,823 --> 00:24:19,882
I know I'll be alright, Steve.

336
00:24:19,992 --> 00:24:24,088
Between my bionics and your friendship,
and Michael's help, we can't lose.

337
00:24:24,196 --> 00:24:27,063
Really.

338
00:24:42,181 --> 00:24:45,173
(DRAMATIC MUSIC)

339
00:25:03,402 --> 00:25:06,269
(MYSTERIOUS MUSIC, CHIMES)

340
00:25:06,372 --> 00:25:08,567
OSCAR:
She's progressing at a rapid rate, isn't she?

341
00:25:08,674 --> 00:25:11,666
RUDY:
Looks like it. Beth?

342
00:25:11,777 --> 00:25:14,268
Punch up the other videotapes.

343
00:25:15,647 --> 00:25:18,514
RUDY: Michael's cryogenic therapy
has worked wonders.

344
00:25:18,617 --> 00:25:21,313
It's also helped us overcome
her bionic rejection problem.

345
00:25:21,420 --> 00:25:24,685
And Michael's presence
has helped a lot too.

346
00:25:33,132 --> 00:25:34,497
Rudy, what condition is she in?

347
00:25:34,600 --> 00:25:37,467
Well, if I had another month...

348
00:25:37,569 --> 00:25:39,696
I'd keep a close eye on her bionic
neural link...

349
00:25:39,772 --> 00:25:41,000
Rudy.

350
00:25:41,106 --> 00:25:43,506
Okay, okay.

351
00:25:43,609 --> 00:25:46,043
It's good. It's very good.

352
00:25:46,145 --> 00:25:48,045
Physically, yes,
but what about mentally?

353
00:25:48,814 --> 00:25:51,942
I have to go along with
Jaime's estimate of her condition.

354
00:25:52,051 --> 00:25:53,143
It's accurate.

355
00:25:54,420 --> 00:25:57,514
Well then, you think it's just Ojai
that upset her so much.

356
00:25:57,623 --> 00:26:00,114
Sure. What else could it have been?

357
00:26:02,795 --> 00:26:05,263
I also have to go along
with her suggestion...

358
00:26:05,364 --> 00:26:09,323
that we find her something
new and challenging.

359
00:26:09,435 --> 00:26:11,596
STEVE:
Well, that's what we'll have to let her do.

360
00:26:11,703 --> 00:26:14,069
I suppose you've got something
in mind already, huh?

361
00:26:14,773 --> 00:26:17,173
Yes. For both of you.

362
00:26:17,276 --> 00:26:19,267
It's urgent, important.

363
00:26:19,378 --> 00:26:20,538
Dangerous?

364
00:26:23,415 --> 00:26:25,727
Well, that'll give her something new
to think about, right?

365
00:26:25,751 --> 00:26:28,720
(MELANCHOLY MUSIC)

366
00:26:50,876 --> 00:26:54,175
Steve, I'm feeling
a little guilty, alright?

367
00:26:54,246 --> 00:26:58,182
I told you I wouldn't purposely undermine
your relationship with Jaime, but...

368
00:26:58,250 --> 00:27:00,775
But you're not made of iron, huh?

369
00:27:01,653 --> 00:27:03,052
No, I guess I'm not.

370
00:27:04,523 --> 00:27:07,117
You're just so...

371
00:27:07,226 --> 00:27:10,923
Hey, you're talking to the guy that fell in love
with her when she was eight years old.

372
00:27:11,029 --> 00:27:12,189
I understand.

373
00:27:12,297 --> 00:27:13,924
Yeah, I'm sure you do.

374
00:27:14,733 --> 00:27:17,600
Besides, I, uh... I haven't given up yet.

375
00:27:17,703 --> 00:27:19,534
I don't blame you.

376
00:27:20,672 --> 00:27:21,832
And I don't blame you.

377
00:27:24,910 --> 00:27:27,344
Okay, let's get this show on the road.

378
00:27:39,525 --> 00:27:40,822
Take care.

379
00:27:40,893 --> 00:27:42,758
I will.
Come home safely.

380
00:27:42,861 --> 00:27:45,853
Well, I got my big brother here
to make sure I do.

381
00:27:50,669 --> 00:27:52,694
(ENGINE STARTS)

382
00:28:04,216 --> 00:28:05,740
OSCAR:
Here is your adversary.

383
00:28:05,851 --> 00:28:08,979
His name is Carlton Harris.

384
00:28:09,087 --> 00:28:10,179
Very dashing.

385
00:28:10,289 --> 00:28:13,258
He considers himself
quite a lady killer too.

386
00:28:14,393 --> 00:28:18,193
Harris is an American national
who has a huge oil refinery...

387
00:28:18,297 --> 00:28:20,857
on the free Caribbean Island
of Melanique.

388
00:28:20,966 --> 00:28:22,661
Sounds real legitimate.

389
00:28:22,768 --> 00:28:25,703
Only trouble is he's arming
a group of militants...

390
00:28:25,804 --> 00:28:29,501
who in return will give him more
oil holdings as soon as they take power.

391
00:28:29,608 --> 00:28:32,008
Ah, that's very illegitimate.

392
00:28:32,110 --> 00:28:34,135
Melanique government
has asked us to intervene...

393
00:28:34,246 --> 00:28:37,704
which we can't, of course, officially,
because he's on foreign soil.

394
00:28:37,816 --> 00:28:40,341
So we're gonna do a little
unofficial intervening...

395
00:28:40,452 --> 00:28:42,579
and 86 the weapons
and munitions, huh?

396
00:28:42,688 --> 00:28:43,780
OSCAR:
Right.

397
00:28:43,889 --> 00:28:46,449
Harris' security is incredibly tight.

398
00:28:46,558 --> 00:28:49,671
Even with your bionics, it'll take
the two of you to get into the storage area...

399
00:28:49,695 --> 00:28:51,856
plant the charges
and get out of there in one piece.

400
00:28:51,964 --> 00:28:55,559
Is it bad form at all at this point
to tell you I'm really scared?

401
00:28:57,302 --> 00:28:58,564
That's okay.

402
00:28:58,637 --> 00:28:59,626
(BUZZER SOUNDS)

403
00:28:59,738 --> 00:29:02,172
STEVE:
We're over the drop zone.

404
00:29:09,815 --> 00:29:12,010
(LOUD WHOOSH, CHIMES)

405
00:29:16,922 --> 00:29:18,082
(LOUD CLUNK)

406
00:29:24,529 --> 00:29:25,723
(BUZZES TWICE)

407
00:29:25,831 --> 00:29:28,163
Austin, I can't! I can't!

408
00:29:28,267 --> 00:29:29,427
Come on, Jaime.
You can lead.

409
00:29:29,534 --> 00:29:30,432
No.

410
00:29:33,105 --> 00:29:34,595
I'll be right with you.
No, I can't!

411
00:29:34,706 --> 00:29:36,105
Come on.
(YELLS)

412
00:30:15,280 --> 00:30:16,480
STEVE:
Steve to pilot, come in.

413
00:30:16,515 --> 00:30:18,847
We've landed safely,
and we're on our way to the refinery.

414
00:30:18,950 --> 00:30:20,713
Roger, Colonel Austin.
Over and out.

415
00:30:23,622 --> 00:30:26,591
(DRAMATIC MUSIC)

416
00:30:52,851 --> 00:30:54,751
(LOUD WHOOSH)

417
00:30:56,421 --> 00:30:57,945
(NO AUDIBLE DIALOGUE)

418
00:31:09,234 --> 00:31:12,203
(BIONIC EYE SOUND EFFECT)

419
00:31:30,389 --> 00:31:32,186
What's going on down there?

420
00:31:32,290 --> 00:31:34,053
There's Harris himself.

421
00:31:34,159 --> 00:31:37,128
(BIONIC EYE SOUND EFFECT)

422
00:31:40,665 --> 00:31:41,654
What is it?

423
00:31:44,636 --> 00:31:47,434
STEVE:
Looks like some sort of relay switch.

424
00:31:47,539 --> 00:31:50,064
Can you pick up what they're saying?

425
00:31:52,677 --> 00:31:55,237
(BIONIC EAR SOUND EFFECT)

426
00:31:55,347 --> 00:31:57,781
HARRIS: And this will complete
our security precautions.

427
00:31:57,883 --> 00:32:00,545
They're talking about security precautions.

428
00:32:02,320 --> 00:32:04,413
There's a switch
just like this one...

429
00:32:04,489 --> 00:32:07,947
JAIME: There's a switch just like this one
in the main control room.

430
00:32:08,894 --> 00:32:12,557
And the only way to gain entrance
to the vault in munitions...

431
00:32:12,664 --> 00:32:14,894
is by turning both switches
simultaneously.

432
00:32:15,000 --> 00:32:18,629
Otherwise, the booby trap charges
set in the door will blow up in their faces.

433
00:32:18,737 --> 00:32:20,705
Oh, that's terrific.

434
00:32:20,806 --> 00:32:23,434
How are we gonna get in there
to plant the explosives...

435
00:32:23,542 --> 00:32:24,919
without getting blown up at the door?

436
00:32:24,943 --> 00:32:27,741
I'll have to get into the control room
somehow and throw the switch...

437
00:32:27,846 --> 00:32:30,144
while you throw that one
down there at the vault.

438
00:32:30,248 --> 00:32:31,909
No.

439
00:32:33,585 --> 00:32:34,711
What're you doing?

440
00:32:34,820 --> 00:32:36,947
Let me handle the inside work.

441
00:32:37,055 --> 00:32:38,044
No way.

442
00:32:38,156 --> 00:32:39,418
Steve, it makes sense.

443
00:32:39,524 --> 00:32:41,856
Now the plant security is incredibly tight.
Oscar says...

444
00:32:41,960 --> 00:32:43,120
I don't care what Oscar said.

445
00:32:43,195 --> 00:32:45,390
And he also said that
Harris is a ladies man.

446
00:32:45,497 --> 00:32:46,464
Lady killer.

447
00:32:46,565 --> 00:32:49,125
I admit the "killer" part
doesn't thrill me so much...

448
00:32:49,234 --> 00:32:51,114
but I do have a better chance
at it than you do.

449
00:32:51,203 --> 00:32:53,194
I can tell him
I'm a reporter or something.

450
00:32:53,271 --> 00:32:54,135
No, Jaime.

451
00:32:54,239 --> 00:32:56,639
Steve, I know I'm right
and so do you.

452
00:32:56,741 --> 00:32:59,266
Now you're cute,
but he's not gonna look twice at your legs.

453
00:32:59,377 --> 00:33:00,605
Come on, cut the kidding.

454
00:33:00,712 --> 00:33:02,690
Not more than five minutes ago,
you had one of those...

455
00:33:02,714 --> 00:33:04,477
Hey, I'm fine.
Really, I'm fine, Steve.

456
00:33:04,583 --> 00:33:06,346
Please let me do this.

457
00:33:06,451 --> 00:33:08,578
I gotta prove something to myself too.

458
00:33:08,687 --> 00:33:10,780
I mean that I can be worth something.

459
00:33:10,889 --> 00:33:13,119
I can be useful.

460
00:33:15,327 --> 00:33:16,351
Alright, alright.

461
00:33:17,295 --> 00:33:19,729
Okay. Let's see.

462
00:33:19,831 --> 00:33:21,628
It is 1:40 now.

463
00:33:21,733 --> 00:33:24,566
Give me until 2:20,
and then flip your switch, okay?

464
00:33:24,669 --> 00:33:25,863
You got it.

465
00:33:25,971 --> 00:33:27,029
Okay.
Good luck.

466
00:33:27,138 --> 00:33:30,107
(DRAMATIC MUSIC)

467
00:33:35,647 --> 00:33:37,171
(LOUD WHOOSH)

468
00:33:43,188 --> 00:33:44,155
Jaime.

469
00:33:46,658 --> 00:33:48,785
(LOUD WHOOSH, CHIMES)
Jaime!

470
00:33:58,770 --> 00:34:01,739
(DRAMATIC MUSIC)

471
00:34:05,210 --> 00:34:07,838
(DRAMATIC MUSIC)

472
00:34:07,946 --> 00:34:09,924
Yeah, I'll check that area.
Everything should be alright.

473
00:34:09,948 --> 00:34:11,415
I think that's just...

474
00:34:14,553 --> 00:34:16,578
Oh, that's it now.

475
00:34:19,791 --> 00:34:20,883
Miss Stroud?

476
00:34:20,992 --> 00:34:23,324
Hello, but please call me Jaime, okay?

477
00:34:23,428 --> 00:34:27,865
Of course. Jaime.
My, what a lyrical name.

478
00:34:27,966 --> 00:34:30,992
And I, of course, am Carlton.

479
00:34:31,102 --> 00:34:33,570
My security guard didn't
exaggerate at all.

480
00:34:33,672 --> 00:34:36,140
You are very, very lovely.

481
00:34:36,241 --> 00:34:37,833
Thank you.

482
00:34:37,943 --> 00:34:41,071
And I really appreciate you taking
the time for this interview.

483
00:34:41,179 --> 00:34:43,044
Well, I'm sure the pleasure
will be all mine.

484
00:34:44,115 --> 00:34:45,844
You know, your complex is so huge.

485
00:34:45,951 --> 00:34:48,362
I would really like to walk around
while we talk. Is that alright?

486
00:34:48,386 --> 00:34:49,910
Of course, please. Come.

487
00:34:50,021 --> 00:34:51,113
Thank you.

488
00:34:53,758 --> 00:34:56,727
(BIONIC SOUND EFFECT)

489
00:35:00,865 --> 00:35:03,595
HARRIS:
A very interesting view from here.

490
00:35:04,703 --> 00:35:06,694
JAIME: Oh, my.

491
00:35:07,305 --> 00:35:10,069
How did you achieve your success
here on Melanique?

492
00:35:10,175 --> 00:35:12,507
Oh, that's very simple.

493
00:35:12,611 --> 00:35:16,138
Always know who your competition is
or your enemies are...

494
00:35:16,247 --> 00:35:19,512
and then stay one step ahead of them.

495
00:35:19,618 --> 00:35:21,552
Oh, really?

496
00:35:24,556 --> 00:35:26,524
(DRAMATIC MUSIC)

497
00:35:31,363 --> 00:35:33,729
(BIONIC SOUND EFFECT)

498
00:35:47,979 --> 00:35:51,471
You know, Jaime, I'm still not sure why
your readers would be interested in me.

499
00:35:51,583 --> 00:35:53,107
Oh, Carlton, come on.

500
00:35:53,218 --> 00:35:54,776
You're wealthy and you're powerful...

501
00:35:54,886 --> 00:35:57,150
and if I may say so,
you're very attractive.

502
00:35:58,323 --> 00:36:00,621
Thank you.

503
00:36:00,725 --> 00:36:03,193
Perhaps after our little tour...

504
00:36:03,294 --> 00:36:06,024
you might be interested in
joining me for dinner.

505
00:36:06,131 --> 00:36:09,589
I have a wonderful chef who would
surely be delighted to surprise you.

506
00:36:10,568 --> 00:36:13,298
Well, actually, I could be tempted.

507
00:36:13,972 --> 00:36:15,098
Good.

508
00:36:20,345 --> 00:36:23,314
(LOUD WHOOSH)

509
00:36:27,886 --> 00:36:31,447
It must take a small army
to operate this place.

510
00:36:31,556 --> 00:36:34,889
Yes, it does,
but it's mostly automated.

511
00:36:34,993 --> 00:36:37,757
Well then, that means you have
a main control room or something?

512
00:36:37,862 --> 00:36:40,296
Oh, yes.
Excuse me, I'll show you.

513
00:36:40,398 --> 00:36:42,366
(LOUD WHOOSH)

514
00:36:45,970 --> 00:36:48,097
Follow me this way, please.
Okay.

515
00:37:02,620 --> 00:37:04,781
(BIONIC SOUND EFFECT)

516
00:37:18,603 --> 00:37:21,265
(BIONIC EYE SOUND EFFECT)

517
00:37:45,296 --> 00:37:48,026
Now this is the nerve center
of the entire complex.

518
00:37:49,634 --> 00:37:51,966
There's a lot of controls in here.

519
00:38:06,985 --> 00:38:08,714
Fantastic.

520
00:38:08,820 --> 00:38:11,914
I don't know how you manage to know
which switch does what. It's...

521
00:38:15,827 --> 00:38:18,625
(LOUD WHOOSH)

522
00:38:22,534 --> 00:38:25,162
It's incredible.

523
00:38:25,737 --> 00:38:28,365
And, uh, this switch.
What does it do?

524
00:38:29,107 --> 00:38:29,801
Jaime!

525
00:38:29,874 --> 00:38:30,863
(LOUD WHOOSH)

526
00:38:30,942 --> 00:38:32,204
Jaime!

527
00:38:32,310 --> 00:38:34,801
(VOICE ECHOES)
Jaime!

528
00:38:36,881 --> 00:38:38,314
Jaime!

529
00:38:39,250 --> 00:38:41,150
Someone's in trouble.

530
00:38:41,252 --> 00:38:42,184
What?

531
00:38:44,022 --> 00:38:47,253
Jaime? What is it?

532
00:38:48,893 --> 00:38:51,259
(HIGH-PITCHED TONE)

533
00:38:52,630 --> 00:38:54,530
It's Steve.

534
00:38:56,000 --> 00:38:58,093
It must be Steve. Uh...

535
00:39:01,272 --> 00:39:03,206
(WHOOSH, HIGH-PITCHED TONE)

536
00:39:03,842 --> 00:39:06,640
Steve's in trouble,
and I have to get him.

537
00:39:07,712 --> 00:39:08,906
Jaime?

538
00:39:12,450 --> 00:39:14,145
Let me go!

539
00:39:14,252 --> 00:39:16,686
(BIONIC SOUND EFFECT)

540
00:39:40,612 --> 00:39:42,102
Plant Security!

541
00:40:05,703 --> 00:40:07,534
(BIONIC EYE SOUND EFFECT)

542
00:40:29,694 --> 00:40:32,219
(LOUD CRUNCH)

543
00:40:42,106 --> 00:40:44,836
(METAL CREAKING)

544
00:40:56,454 --> 00:40:59,423
(DRAMATIC MUSIC)

545
00:41:06,864 --> 00:41:08,126
Steve?

546
00:41:08,232 --> 00:41:09,893
Jaime!

547
00:41:13,338 --> 00:41:15,533
Steve's in trouble
and I have to get him.

548
00:41:33,124 --> 00:41:35,524
That way. Call the gate.
Have them cut her off!

549
00:41:35,626 --> 00:41:36,923
Right, sir.

550
00:41:46,104 --> 00:41:47,571
(BIONIC SOUND EFFECT)

551
00:41:57,715 --> 00:41:58,647
Jaime!

552
00:41:58,750 --> 00:42:00,581
Steve!
I thought you were in trouble.

553
00:42:00,685 --> 00:42:01,947
I heard you calling me.
What?

554
00:42:02,053 --> 00:42:04,578
I heard you calling me in the rain.

555
00:42:04,689 --> 00:42:06,987
(LOUD WHOOSH)

556
00:42:26,110 --> 00:42:28,806
(BIONIC SOUND EFFECT)

557
00:42:49,133 --> 00:42:50,122
There! Shoot!

558
00:42:50,234 --> 00:42:51,792
(GUNSHOTS)

559
00:42:51,903 --> 00:42:54,770
(BIONIC SOUND EFFECT)

560
00:43:04,816 --> 00:43:07,785
(GUNSHOTS)

561
00:43:17,428 --> 00:43:20,192
OSCAR:
She heard you calling her in the rain?

562
00:43:20,298 --> 00:43:21,560
STEVE:
That's right.

563
00:43:21,666 --> 00:43:23,361
In the rain.

564
00:43:25,536 --> 00:43:30,803
She must've been having
some memory of the night she died.

565
00:43:30,908 --> 00:43:33,775
We put her out in the field
too soon, Michael.

566
00:43:33,878 --> 00:43:35,743
Listen, the next time
that you two go out...

567
00:43:35,847 --> 00:43:37,678
There can't be a next time, Oscar.
What?

568
00:43:37,782 --> 00:43:39,545
Not... not with me.
Not for a long time.

569
00:43:39,650 --> 00:43:42,016
Steve, you're just upset
because the mission aborted.

570
00:43:42,120 --> 00:43:43,720
Oscar, we barely
got away with our lives!

571
00:43:43,821 --> 00:43:45,880
Jaime knows that she messed up.

572
00:43:45,990 --> 00:43:49,255
OSCAR: She told us so.
She was thinking of Ojai.

573
00:43:49,360 --> 00:43:52,124
She shouldn't go through
that experience again.

574
00:43:52,230 --> 00:43:54,198
All it brought up
was painful memories.

575
00:43:54,298 --> 00:43:57,267
We just have to not go back there again.
Do you understand?

576
00:43:57,368 --> 00:43:59,359
It's not Ojai, Oscar.
It's me.

577
00:44:00,304 --> 00:44:02,067
What're you talking about?

578
00:44:03,774 --> 00:44:06,334
Ojai was disturbing to her subconscious.

579
00:44:06,444 --> 00:44:10,881
Think of what I must be doing to her
every time she looks at me.

580
00:44:23,561 --> 00:44:25,256
I'm not good for Jaime.

581
00:44:28,266 --> 00:44:30,200
Steve, you got it all wrong.

582
00:44:30,301 --> 00:44:32,792
You're too close to the problem.

583
00:44:32,904 --> 00:44:36,340
Oscar, you're talking
to a test pilot, remember?

584
00:44:36,440 --> 00:44:39,568
You're talking to a man who's been trained
as an objective observer.

585
00:44:39,677 --> 00:44:43,306
To pull back from any situation
and look at it in the cold light of day.

586
00:44:44,382 --> 00:44:46,782
I can read my own telemetry, Oscar.

587
00:44:48,920 --> 00:44:51,548
In Ojai, even before that.

588
00:44:51,656 --> 00:44:53,146
Right here in Rudy's lab.

589
00:44:53,257 --> 00:44:55,452
There were times when she looked at me.

590
00:44:55,560 --> 00:44:57,425
I could already sense it.

591
00:44:57,528 --> 00:45:01,294
I could... I could feel that the sight of me
was gnawing away at her subconscious.

592
00:45:03,401 --> 00:45:05,926
Then on the mission.

593
00:45:06,037 --> 00:45:09,063
There was no Ojai there.
Only Jaime and me.

594
00:45:10,074 --> 00:45:13,134
The memories and the pain
that I brought her.

595
00:45:13,244 --> 00:45:16,509
Intensified to such a high level
by the stress situation.

596
00:45:17,782 --> 00:45:19,181
I am right, aren't I, Michael?

597
00:45:20,585 --> 00:45:21,552
Steve...

598
00:45:21,652 --> 00:45:24,212
Michael, forget the personal involvements.

599
00:45:24,322 --> 00:45:26,381
Scientist to test pilot.

600
00:45:26,490 --> 00:45:27,752
I am right, aren't I?

601
00:45:30,428 --> 00:45:31,895
I think you are. Yes.

602
00:45:42,073 --> 00:45:44,507
Well, what'll we do?

603
00:45:44,609 --> 00:45:47,806
Send her to Rudy's other complex
in Colorado Springs.

604
00:45:47,912 --> 00:45:50,904
Away from here.
Away from Ojai.

605
00:45:53,517 --> 00:45:56,577
OSCAR:
Away from you?

606
00:45:56,687 --> 00:45:57,949
STEVE:
Away from me.

607
00:45:58,055 --> 00:45:59,488
For how long?

608
00:46:03,127 --> 00:46:04,594
For as long as it takes.

609
00:46:10,801 --> 00:46:12,894
Alright, pal.

610
00:46:13,004 --> 00:46:15,097
I'll make the arrangements.

611
00:46:15,206 --> 00:46:17,174
(MELANCHOLY MUSIC)

612
00:46:30,087 --> 00:46:31,076
Michael?

613
00:46:31,188 --> 00:46:32,155
Yeah, Steve?

614
00:46:38,996 --> 00:46:41,965
You brought her back to life
and put her in my hands again.

615
00:46:46,804 --> 00:46:49,295
Now I'm putting her into yours.

616
00:46:50,841 --> 00:46:52,570
Okay.

617
00:47:26,210 --> 00:47:27,268
Ready to go?

618
00:47:27,378 --> 00:47:28,572
Yes.

619
00:47:36,487 --> 00:47:39,285
Hi. I was looking for you.

620
00:47:39,390 --> 00:47:42,257
Did you hear that Rudy's sending me
to his complex in Colorado Springs?

621
00:47:42,360 --> 00:47:44,624
Yeah, I heard that.
He told me.

622
00:47:44,762 --> 00:47:47,754
It's beautiful there.
Very peaceful.

623
00:47:47,865 --> 00:47:49,958
That's what I need.

624
00:47:50,067 --> 00:47:51,159
Michael's going along.

625
00:47:52,470 --> 00:47:56,463
But I have decided that what I need
is to get to know myself...

626
00:47:56,574 --> 00:47:58,439
before I can be good for anyone else.

627
00:48:00,644 --> 00:48:02,703
I mean anyone else.

628
00:48:07,885 --> 00:48:09,614
So what about you?
Where are you gonna be?

629
00:48:12,323 --> 00:48:15,383
You know Oscar.
He's always finding something for me to do.

630
00:48:18,562 --> 00:48:20,257
I'm gonna miss you, Steve.

631
00:48:23,401 --> 00:48:25,801
Yeah. I, uh... miss you too.

632
00:48:29,273 --> 00:48:31,741
I don't know what it is...

633
00:48:31,842 --> 00:48:36,541
sometimes I look at you and I get
a feeling like there's something more.

634
00:48:36,647 --> 00:48:37,636
Was there?

635
00:48:40,384 --> 00:48:42,181
I'm your friend, Jaime.

636
00:48:42,286 --> 00:48:43,947
Always was. Always will be.

637
00:48:54,031 --> 00:48:55,055
Bye.

638
00:48:56,066 --> 00:48:57,090
Bye.

639
00:48:58,803 --> 00:49:01,636
(DRAMATIC MUSIC)

640
00:49:01,739 --> 00:49:03,764
(ENGINE STARTS)

641
00:49:39,743 --> 00:49:42,712
(END TITLE THEME)